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Batik printing - the unique craft
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Traditionally, pure cotton cloth, rice starch and natural dyes made from leaves, plants and other natural substances were used for Batik printing. Usually, vibrant colors are preferred for Batik printing. The color blue was derived from indigo, while orange and red colors were made using henna. Turmeric was used to make yellow color, while black color was made by burning iron. However, natural dyes are fast being replaced by chemical ones. A combination of two or more colors can also be used to create different effects. Moreover, poplin, voile as well as pure silk fabric are also nowadays being used for Batik printing.

 

The elaborate process of creating a Batik fabric ensures that no two pieces are exactly the same.


The motifs

 

In the Batiks made in Indonesia, mystical and ritualistic motifs are made use of. Apart from this, motifs from nature are also used, such as flowers, trees and birds. The Sawat motif is commonly used in Javanese Batik. In Batiks made in India, motifs such as that of the Garuda and other natural motifs are commonly found. African Batiks usually feature people doing their routine activities, such as people grinding corn, praying, carrying water or wood, combing hair or dancing.

 

With the passage of time, a number of innovations have taken place in the motifs used in Batik. However, the motifs can be broadly divided into two categories: geometrical and elaborate. The elaborate motifs are generally natural, such as flowers and buds, leaves, birds, fish, butterflies, vines, small animals and insects.

 

Conclusion

 

Batik is considered to be evergreen in the fashion world. Batik is fast being accepted as a fashion statement all over the world. From being used only in tailored garments, the use of Batik in dress materials and scarves is rising. Newer colors and motifs are being used. However, the number of artisans engaged in this activity is declining, mainly on account of the highly intricate process of applying wax, dyeing and removal of the wax.

 

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