Koch tended to deal in overly large flora and fauna, which obviously gave the impression of vibrancy, color, and luxuriance. In the first illustration 'Troubadour', the two human figures are completely surrounded by oversized vegetation and birdlife. Although the largest figures, they do not seem to overly dominate the composition, and it cannot perhaps be a coincidence that they have a more than tenuous link with the Adam and Eve in the Garden of Eden story.
Koch's work is consistent in its use of nature as a main ingredient in her compositions and in the use of overly large and somewhat stylized motif work. The same can be seen in much of her printed textile work; an article at a later date will be posted on this subject. By drawing inspiration from a number of origins, Koch was able to meld them together in order to arrive at a point where she was producing individualized creative work that no longer felt as if directly representative of that origin, which is the path that all creative people follow.
It is always interesting to see a creative individual take observational starting points, and then to see those points become folded in on themselves, repositioned, even reimagined, and then projected back onto their own contemporary audience as new and vibrant pieces of work. Creativity has so many of these lines of inspiration, no more so than in embroidery. Generation after generation produces new reference points of inspiration, many of which have been influenced by the work of previous generations. This ongoing procedure has an accumulative effect, whereby, as the generations pass by, compositional pieces can be seen more as a complexity of past ideas and technical skills, all overlapping, and indeed underlapping each other.
It is rare, and you would have to
conjecture, near impossible, for a creative individual not to be influenced on
some level by those who went before them. It is in the nature of creativity to
be generational, with each new generation adding something extra to the
vocabulary of either singular or multi-disciplinary work. In some respects,
without trying to sound too trite, the building up of the discipline of
embroidery for example, is done by each individual at each generational level,
producing one representative additional stitch at a time.
Work such as Koch's, which are lucky enough to be tagged with her name, as well as all of the countless unnamed embroideries produced over seemingly endless generations, which she would have used on an inspirational level, increase the availability of new inspirational points for our own generation. As we perhaps use her work as an available inspirational point, our own work will one day perhaps inspire future generations in which to use as available starting points for their own new and original work, and so it goes on.
This is always, for me, the beauty of creative work. It can by all means stand on its own as a unique focused point of one person's individuality and their unique perspective on the world they inhabit. However, it can also be one point in a continuing journey of a discipline, and their work can be a flavour and reflection of all those individuals who went before them and perhaps a foretaste of all those that will follow. As a creative individual, you are the accumulation of an endless parade of trial and error, experimentation and perseverance, acute observation and sometimes sheer luck, that you can pass that accumulated history on to the next generation is perhaps the greatest gift of all.
This article was originally published in the Design, Decoration and Craft at the Textile Blog.