Tangaliya - The Lesser Known Textile Craft of Saurashtra Gujarat

Prof. Vandita Seth & Prof. (Dr.) Anitha Mabel Manohar

India is well acknowledged as a textile rich country. The handlooms have carved a special status for themselves. Tradition of weaving by hand is a part of the countrys cultural ethos. Handlooms besides being patronized by the royalty they have also been woven for the common people. They have been important items of trade. Communities have specialized in various techniques and designs for centuries and pass on their skills to the next generation.


Crafts have been the forte of Gujarat and like Kutch Saurashtra region of Gujarat is also very rich in crafts. Some crafts which are languishing in areas of their origin have prospered in Saurashtra. On the other hand crafts which have originated in Saurashtra are on the verge of extinction. Tangaliya woolen shawl from Saurashtra is one such textile craft which although very unique has not been able to sustain.


Tangaliya the shawl

 

Tangaliya as the name suggests is derived from the word Tangalio meaning the lower part of the body. Tangaliya was traditionally a 10 by 4 cloth which was draped around the waist. However due to loom size constraints the cloth was woven 20 by 2in size and then cut in two parts and joined together to form a 10 by 4 shawl.


Tangaliya the legend


Tangaliya shawls were woven in the Surendranagar district of Gujarat. The weaving was carried out in 26 villages by a particular community Dangasia the shepherd community. This indigenous craft has deep rooted origin and history of about 700 years embedded in the Saurashtra region of Gujarat. The exact details of the origin and evolution of the craft are not available because of lack of historical references. The details of its origin were obtained from interviewing the old people of the village. As per the legend a Bharvad man married a woman from the weaver community braving opposition from both the communities.


The offsprings born to this couple were later known as the Dangasia and had taken up the occupation of weaving. It was this new community that evolved the exquisite art of Tangaliya weaving. Tangaliya was woven using yarns made from the wool of the sheep. The Tangaliya product that evolved was a rough product but the unique Dana work created to pattern the shawl is not reported to be practiced anywhere in the World. The Danas created this special product and it continues to be the identity of the Tangaliya.


Types of Tangaliya


Tangaliya shawl is always black in colour and the Danas are either white or multi coloured. Types are as portrayed in the images above


Tangaliya Technique and Designs


The Tangaliya product/weaving technique is so unique that it is not reported to be practiced anywhere in the world. The uniqueness of Tangaliya is the beadwork like Danas created during the weaving process to create a patterned effect.

The Danas are created by wrapping small pieces of yarns around the warp yarns to develop firm knots. These beads like Danas/knots create motifs to form designs. The beauty of the Tangaliya lies in the fact that one Dana lends itself to create as many motifs. Also, groups of these motifs create complex patterns.


Conclusion

 

The community consumption nature of the craft has kept it beyond the knowledge of many. Tangaliya was always made in its traditional style with no variation either in design or material. National Institute of Fashion Technology Gandhinagar under the SGSY project has worked with the poor artisans in various areas of design development, product development, imparting skill trainings, infrastructure requirement and marketing. Tangaliya has been conferred with the GI status. Though, it still needs consistent intervention for sustained presence.


References

  • Pal, D. & Das, A(2010), Tangaliya Hasthakala Association Case Tangaliya
  • Dhamija, J. (1985) Crafts of Gujarat.
  • Unstitched woolen Garments of Gujarat, Craft Documentation by Anjali Gupta, 1986, NID, Ahmedabad.
  • Visuals of Tangaliya by Students of Fashion Design Department of NIFT, Gandhinagar.

About The Authors


Prof. Vandita Seth is a Faculty of Fashion Design Department at the National Institute of Fashion Technology, Gandhinagar.


Prof. (Dr.) Anitha Mabel Manohar is a Faculty of Fashion Design Department at the National Institute of Fashion Technology, Chennai.