• Linkdin

Interview with Kavea R Chavali & Ramya Rao

Kavea R Chavali & Ramya Rao
Kavea R Chavali & Ramya Rao
Founders
Kalaneca
Kalaneca

The #iwearhandloom hashtag brought an entire community together
Kalaneca was launched by a mother and her twin daughters to showcase the artistic weaves of Andhra Pradesh, with a focus on promoting handwoven saris from Uppada. In a chat with Paulami Chatterjee, founders Ramya Rao and Kavea R Chavali describe their journey in launching the brand, the initial challenges in Kalaneca understanding the supply chain, and their plans ahead.

When and how did you launch Kalaneca? What gave you the idea to work with handloom saris?

What started out as a hobby in 2014 turned into a passion in 2018 with an intention to celebrate the essence of a sari. Kalaneca (kala: art, neca: nikaah, or marriage) was born out of a desire of twin sisters helping their mother promote the weaves of Andhra. We were always exposed to handwoven weaves. Belonging to a defence family, our parents would encourage travel to understand the culture of a place and every time we travelled, we would bring back something handmade or handwoven from that place. We also realised soon that a powerloom sari might be easy on our pockets but would also be highly uncomfortable to drape and still be yourself. After engaging conversations and watching the sari being handwoven on a loom, we realised that every handwoven weave has a story and a touch of love.
 

How many collections do you come up with in a year?

We started with three collections a year and have now moved to bringing eight curated and capsuled collections every year. The name behind every collection is also well thought of trying to bringout the personality of the person.

How do you sell your saris online/offline? Do you have a store yet or plan for one?

We sell them through our own website and our Instagram account @Kalaneca. We do not have a retail store yet, but we are open to ideas in the future.

What were the initial challenges after launching the brand?

The initial challenges were all about understanding the basics of the supply chain, the target audience as we didn't come from a business family. Everything-from speaking to the weavers to creating the sari to shipping it-was done by us. So, there was no concept of a weekend because we were practically working every day and managing every tiny bit by ourselves.

What is unique about the weavers of Uppada? How many weavers does Kalaneca employ?

The uppada weave is unique as every sari is woven on the loom at one go. Unlike some other handwoven saris where the border is attached, an uppada sari is woven in one stretch. Uppada saris are also lightweight in nature and are popularly known for the uppada jamdani work of art. There are about 1,500 weavers in the tiny hamlet of Uppada and each family proudly creates some stunning work on the loom with sheer passion and skill. We have more than 20 looms in Uppada and we work with around 30 weavers. 

What factors decide the pricing of the saris? What is the price range?

Pricing is decided upon the sourcing of threads and zari, the number of weavers who put in the effort, the aesthetics of the sari. In a handwoven jamdani weave, one single weaver works on the sari and hence the pricing of a bridal jamdani sari is relatively high. Our handwoven saris begin at 1450 (linen cottons, silk cottons) and go up to 50,000 for a premium bridal jamdani.

Which sections of society do your saris target: mass or premium?

We do not categorise our audience because we believe in making saris for anyone and everyone. Our designs can vary from an officegoer to a Page 3 socialite to a celebrity to a grandmother-just about anyone who loves wearing saris. The segmenting often happens because of the pricing; so, we would say sub-premium. 

Which other traditional weaves of Andhra Pradesh are the weavers working on?

While the uppada is our central focus, we have recently moved to exploring weaves from other parts of Andhra. We will be travelling to some smaller parts of Andhra to bring their beautiful weaves and try to popularise them just like we did with the uppada.
Which other traditional weaves of Andhra Pradesh are the weavers working on?

How do the weavers benefit from working with Kalaneca?

Since we design the saris and share those with our weavers, it also gives them an opportunity to challenge their reative faculties and craftsmanship. We have created some stunning customized jamdani saris which the weavers were very proud to be part of. The smiles on their faces are priceless when customers thank them for their art and skill. The weavers are benefitted not just monetarily, but there is also a sense of pride when a customer wears their creation.

Which are your major markets in India? Are you exporting as well?

The major domestic markets would be south of India, West Bengal and Delhi. About 35 per cent of our orders come from foreign markets including the US, Australia and Malaysia.

Are you collaborating with any leading designers?

Currently, we design all saris ourselves and haven't tied up with any leading designer yet; but we are open to that eventually. So far, our work has received positive feedback just through word of mouth. We have never done any extensive marketing so far.

What is your design strategy?

While weavers in Uppada focus on the generic motifs, our design strategy is to create contemporary designs on a traditional loom. For Kavea's winter wedding in 2018, I (Ramya) designed her uppada sari with the pallu featuring her childhood image of a dancer. It took four weavers, one month to try and then replicate the picture which was woven unlike just digital printing on a sari. Kavea's sari pallu featured the work of a Raja-Rani with horses which is not a conventional South Indian design. Otherwise, beautiful motifs of flowers are common in most of our regular designs.

Where are your sourcing bases in India?

We would not like to reveal the sourcing bases, but those are across Andhra Pradesh and Telangana.

How much yearly budget do you earmark for advertising and promotions?

This financial year, we have marked more than 20 per cent of our budget for marketing and ads. The majority of our sales happen via Instagram.

What do you have to say about the market for handloom saris in India and abroad?

Handloom saris have immense respect both in India and abroad. The artisans and their work leave a legacy that is honoured by people. The market has become more prominent thanks to social media.
What do you have to say about the market for handloom saris in India and abroad?

What is your production schedule like? How fast can you deliver the orders?

A silk sari takes 2-3 days to weave if it is a simple plain sari. Depending on the design, the production schedule changes. Every sari creation begins from scratch which includes the sourcing of threads, dyeing of the threads, placing them on the loom and then creating the sari. However, once a sari is ready, it gets delivered within India in 3-5 working days and worldwide in 7-14 days.

What needs to be done to keep handloom saris more relevant?

When the textiles ministry started the hashtag #iwearhandloom, it brought an entire community together. The government needs to spearhead such conversations often. Also, brands like Kalaneca and many others are doing their bit in the form of podcasts and workshops to keep the handloom relevant. Sari crusaders on social media are spreading their love that helps more and more people respect our national identity the 'Sari'.

What are the upcoming trends in handloom saris?

We see a fusion of sorts happening for sure within the handloom space. You can bring a pochampalli design on an uppada weave. Fabrics are being woven together. Also, conscious fashion has given rise to fabrics such as jute, soy fabric and many more.

How supportive have government initiatives and schemes been?

The support is very state-centric. We do not see any uniformity in it. The Telangana state government has become more proactive in recent years while the Andhra Pradesh government is yet to announce radically amazing initiatives. Similarly, certain state governments are doing their bit to promote their state handlooms. We need the Centre to initiate a dialogue.

What next can we see at Kalaneca?

This year the focus is to not just on creating more designs, but also make the people aware of the fluid nature of a sari. We are doing this not just through our styling videos and saris, but also by having launched India's first sari podcast titled 'Six Yards & Six Questions' featuring some amazing personalities promoting handloom saris.
This article was first published in the July 2020 edition of the print magazine.
Published on: 21/07/2020

DISCLAIMER: All views and opinions expressed in this column are solely of the interviewee, and they do not reflect in any way the opinion of Fibre2Fashion.com.

This interview was first published in the Jul 2020 edition of the print magazine