Interview with Flint Davis

Flint Davis
Flint Davis
President
WeaveUp Inc
WeaveUp Inc

Our software is agnostic regarding printing technology
Founded in 2015, WeaveUp facilitates consumers to order and print customised upholstery and home furnishing products. The company enables customers to choose fabric and print, and order designer home décor and furnishing products. It also enables users and designers to upload and sell the designs online. President Flint Davis chats about the potential for on-demand home furnishing items and explains the company's unique end-to-end solutions.

How did you come up with the idea of WeaveUp?

I was collaborating with the senior leadership team from Valley Forge Fabrics (VFF), one of North America's largest sellers of textiles to the hospitality industry and we knew we wanted to leverage the inherent benefits of digital printers (unlimited coulors, large-scale motifs, production flexibility) to attack the sales cycle in hospitality. We decided the biggest win would be getting a colour accurate custom sample in the client's hands faster since the traditional process can take months. The proprietary digital platform we built enables VFF to get a custom sample in a prospect's hands in two days.

What is the scope for on-demand upholstery?

Within the commercial market it is significant. Interior designers and their clients are always looking for a way to differentiate their properties and textiles provide a tremendous opportunity. But I would not limit it to upholstery. I would include drapery, top-of-bed, carpet and wall coverings. In fact, we had one client use the same design on a fabric headboard and the wall covering behind it to produce a dramatic effect. I would say the residential/consumer market is only a few steps behind.

Are you the only solution provider? What is your USP?

WeaveUp provides an industrial, end-to-end software platform for companies that want the competitive advantage that digital textile print-on-demand provides. From automatic colour separation and curation of art files, to the intuitive customiser (allowing changes of colour, scale and repeat) to metadata normalisation and workflow management, we offer everything.

Our suite of modular solutions means clients benefit from a short, straightforward integration and can rapidly deliver custom solutions to their customers. This integrated approach eliminates the obstacles, delays and headaches associated with ad-hoc attempts to address the many and varied issues usually associated with producing on-demand textiles.
Are you the only solution provider? What is your USP?

Where do you get the products made?

WeaveUp is a software platform and does not own any printers. We do, however, have a growing network of print partners, carefully screened and using our print production software, that produce textiles for some of our clients including Joann and Budget Blinds.

Which are your major markets in the United States? Do you ship globally?

Our clients are in the Americas, Europe and Australasia, but, as a 'software as a service' (SaaS ) business, we focus more on industries rather than geography. We work with clients in apparel, home and commercial décor, window coverings, upholstery vinyl and wallcoverings. We have also been approached by companies in carpet manufacturing, decorative films and laminates.

Which designs and prints are more popular? What kinds of fabrics for upholstery do most people go for?

The popularity of designs and colourways varies by audience and geography. The most popular designs in Joann's MyFabric programme are not the same as the ones for our commercial clients. As the platform offers flexibility around colour selection, we also see greater diversity in colourways than you see in rotary fabrics.

Another significant benefit of the WeaveUp platform is the unbundling of colour, scale, repeat and design from the base fabric. Now, clients can create a finished textile from the flexible stock of print-ready basecloths they carry. This makes a difference even when colour-matching coordinates. Adding a matching stripe and solid is like creating a new collection.

Which designs and prints are more popular? What kinds of fabrics for upholstery do most people go for?

How eco-friendly is the customisation process?

Our software allows companies to reduce their reliance on inflexible, fixed inventory programmes and replace expensive booked collections by leveraging print-on-demand. Therefore, the labour, materials, production and manufacturing costs associated with traditional sampling programmes are also eliminated, while still expanding design choice.

Is this technology only for upholstery?

Not at all. Our software is agnostic when it comes to printing technology. And because we integrate with the leading raster image processor (RIP) providers, our clients use dye sublimation, reactive dye, ultra-violet (UV) and latex printers for upholstery, drapery, apparel and wall coverings. Given our flexibility, we see significant opportunities in laminates, decorative films and carpet. Any surface that can be digitally printed can use our platform. Is this technology only for upholstery?

With digital printing, is there a significant price premium for on-demand custom versus long-run?

There doesn't have to be. Our print room solution WeaveUp PRO provides workflow tools and process automation that allows a printer to see a batch of small orders the same way it sees one large order. So, the labour associated with printing a sample is nearly the same as for a 300-meter order. And when samples are no longer precious, companies can compete more aggressively for projects by providing custom solutions which often carry higher margins.

How do you curate the work of designers and artists?

At WeaveUp, our internal team of highly-skilled textile and graphic designers curate every design. They evaluate designs on both technical and artistic merit. They take colourway, style and design trends into account. During curation the team also normalises the metadata associated with each design. This allows us to segment our library to accommodate the needs of each client. Like avoiding designs with strong horizontal lines, for instance, for a window covering manufacturer. How do you curate the work of designers and artists?

Surface designing has become vital to customisation. What more do you plan to offer in future?

We started with textiles and wall coverings for the commercial interior décor and already have several clients using WeaveUp for those applications. In addition, we are working with vinyl upholstery and apparel fabric printers. In the near future, we see significant opportunities with carpet manufacturing, laminate flooring, countertops and tiles. Basically, if you can print on it, we see WeaveUp as a way to customise it.

What next is in the pipeline at WeaveUp?

We feel we have a leadership position in the marketplace and we are always working hard to maintain it. Right now, we are gathering insights from our users: textile designers, architects, interior designers and sales people regarding the kind of functionality and enhancements they feel would be most valuable. (HO)
Published on: 13/03/2019

DISCLAIMER: All views and opinions expressed in this column are solely of the interviewee, and they do not reflect in any way the opinion of Fibre2Fashion.com.