Prime Minister Narendra Modi launched the country's first National Handloom Day on August 7. The date was chosen due to its special significance in India's history - it was on this day that the Swadeshi Movement was launched in 1905. The observance of National Handloom Day and honouring handloom weavers will not only provide an impetus to the handloom industry, but would also serve to promote handloom as a genuine international product of good quality, an official release said. In this backdrop, Shubhangi Brijesh Yadav and Sumita Agrawal write about khadi, one of the finest textile traditions in the world.

A new era has dawned that is urging people to goback to their roots - realize the value of sustainability, nature and purity.People around the globe are looking for things that connect them to theirroots, be it preferring handcrafted products over mass production, favouringtraditional cuisines over fast foods or adopting yoga and meditation as a wayof life over gym workouts. Khadi is one of such numerous examples that canguide us back and connect us to our roots. Khadi has proved itself as a fabric thatis ecologically right and socially just.

Weaving has been one of the most primitiveactivities that were carried out by human beings. Different parts of the worlddeveloped different weaving practices through history. Khadi developed in Indiaas a traditional form of weaving that not just entails handloom weaving butalso involves hand spinning of the yarn. Thus Khadi refers to the hand spun andhand woven fabric of India.

Khadi was revived and promoted on a national scaleby Mahatma Gandhi during the struggle for independence. Gandhiji saw immensepotential in making of Khadi as an alternative to the machine made, importedcloth from England and as a means to generate self-employment and self-reliancein rural India during the Freedom Struggle.

Weaving and wearing Khadi came to symbolize apolitical ideology and an active participation of common people in India'sfreedom struggle and stood as an expression of Independence itself.

Post independence, Khadi continued to be associatedwith the idea of employment generation. The government of India specially setup - The Khadi Village and Industries commission in 1956 as a nodal agency forpromoting, planning and implementing Khadi and other village industries in thecountry.

But over a period of time with the increase inproduction of mill cloth, which became economically more affordable andtrendier, Khadi was relegated to political circles. It came to be related to awhite or off-white fabric worn largely by the political leaders and bought bythe common man only during discount periods. With the loss of attention in thepopular culture of the country, Khadi cloth became synonymous with monotony,dull colours, outdated and uncouth fashion.


However with the new ecological and ethical awareness, and emphasis on reducing carbon footprint by the use of low energy alternatives, the time has come to review the role and context of Khadi in the current times. A paradigm shift is required for seeing this fabric in a new light.

Khadi stands high on the platform of solutions to development issues where employment generation, capacity building, sustainability and resource- efficiency are the requirements. It is also an answer to a spiritual and sustainable way of life. Brands like "Moral Fibre" have recognized the importance of Khadi and its process as an environment friendly alternative to the current production methods in yarns and fabrics. Such brands are actively promoting Khadi as "Clothing with a Conscience"

Khadi can be made from cotton, silk or wool. It can range from being fine muslin cloth to coarse and thick like a dhurrie. But a connoisseur of Khadi knows that the touch of coarse rough Khadi is also soft to body. So Khadi can be worn as a cloth of comfort and convenience.

Khadi has a unique property of keeping the wearer warm in winter and cool in summer. The more it is washed the better it looks and feel. This versatility makes it an all season fabric. Institutes like "Mahatma Gandhi Institute for Rural Industrialization" have developed special soft and stiff finishes for Khadi that can greatly enhance its end use applicability.

Hence what Khadi needs today is a repositioning. It is ripe for reincarnation as the livery of young surging India. New woven designs, new colours, new finishes and treatments need to be introduced in this ideological fabric without losing the identity of Khadi. New yarn experiments, blends need to be incorporated. Khadi cannot and should not compete with the mill made fabric but should create its own niche with its unique charm of naturally occurring weave errors, yarn faults and raw look.

"Khadi Prayog Samiti" under the Gujarat Rajya Khadi Gramodyog Board has been working to create interesting blends with the khadi yarn. These can be used to develop special range of Khadi fabrics.

It is the handmade quality of the fabric with its inherent unevenness that is the beauty of Khadi. All these qualities make Khadi non-replicable and it is this exclusivity that should be the identity of Brand Khadi and make it stand with the Haute Couture Fashion. At the same time Khadi should be made into products that are relevant in today's fashion scenario. This needs a careful study of national and international trends in colours, styles and silhouettes and their interpretation for Indian and international consumers.

In January 2015, National Institute of Fashion Technology Gandhinagar showcased a trends pavilion for Khadi. A team from the institute analyzed the international fashion, textiles and colour trends and translated the trends for the future of Khadi. The research was exhibited in the form of actual Khadi samples, garments and home products in contemporary colours. These directions could be readily adopted by khadi weavers, samities and product developers to reinvent Khadi and transform it as modern product lines.


The response to this exhibition was tremendous and a lot of young Indians showed their interest in buying, adopting and knowing more about this fresh Khadi. The weavers and producers were excited to see the transformations that could be achieved by only a few changes in their existing designs and raw materials.

Khadi is a concept woven for mind, body and soul. It is a fabric that has lots of character and has been an inseparable part of the Indian culture. It has witnessed the changing times but it itself has not been able to evolve much.

NIFT's exhibition called for this much required evolution and fast-forwarding Khadi to its rightful place in the wardrobe of young India.

To conclude, the Khadi that one wears should be more than a fabric; it should be a way of life and symbolize going back to basics.

About the authors:

Shubhangi Brijesh Yadav is an Associate Professor, Textile Design Depart. At NIFT Gandhinagar and Sumita Agrawal is an Assistant Professor, Textile Design Depart. At NIFT Gandhinagar.

Image Courtesy: - Khadi durrie; image courtesy textile design students, batch 2012-16