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Celine Fall/Winter 2007-2008 trends
14 Mar '07
3 min read
“Like many people who are sensual, violent and libertine, Béatrice felt that she was exonerated by the fact she announced or wrote her decisions, no matter how cruel they might be” writes Françoise Sagan in her novel The Unmade Bed. Her heroine? Béatrice. A woman who likes men who like women and does not conceive living without a good dose of fantasy.
"Béatrice clamors for passion, spirit, freedom, imagination, knowing how to lie, and why not lie to her. Seductive and with a lot of humor, such is the heroine of the 2007–2008 Celine Fall–Winter by Ivana Omazic. Bourgeoise and wild, funny and whimsical, this woman fully assumes her contradictions, she knows she is an exhibitionist, yet she wants to remain mysterious, this is a spontaneous woman for whom “very often instinct replaces reflection.”
Just as spectacular in a Siberian tiger printed pony skirt as in a pair of pants with large cuffs. In her wardrobe, a T-dress with a streamlined allure, to which the supple sleeves, rounded convey a feminine and sensual suppleness. The anatomical cuts of the shirts and coats follow the body contours especially the sleeves. The bust is narrow but privileges free, oblong, droplet sleeves.
The trench coat, leitmotiv for Ivana Omazic, is worn doubled up, with a frame reduced to the maximum, over a coat dress. The vest in nylon faille slips under the tweed coat. The blousons overlap several types of fur by playing on different textures of fox and suede or pony andmink.
"Béatrice clamors for passion, spirit, freedom, imagination, knowing how to lie, and why not lie to her. Seductive and with a lot of humor, such is the heroine of the 2007–2008 Celine Fall–Winter by Ivana Omazic. Bourgeoise and wild, funny and whimsical, this woman fully assumes her contradictions, she knows she is an exhibitionist, yet she wants to remain mysterious, this is a spontaneous woman for whom “very often instinct replaces reflection.”
Just as spectacular in a Siberian tiger printed pony skirt as in a pair of pants with large cuffs. In her wardrobe, a T-dress with a streamlined allure, to which the supple sleeves, rounded convey a feminine and sensual suppleness. The anatomical cuts of the shirts and coats follow the body contours especially the sleeves. The bust is narrow but privileges free, oblong, droplet sleeves.
The trench coat, leitmotiv for Ivana Omazic, is worn doubled up, with a frame reduced to the maximum, over a coat dress. The vest in nylon faille slips under the tweed coat. The blousons overlap several types of fur by playing on different textures of fox and suede or pony andmink.
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