They adapt, interpret, and attempt to modernize historical silhouettes and details that are as disparate as cage crinolines, flapper dresses, and grunge. While undeniably prevalent now, referencing the past is not only a contemporary phenomenon. RetroSpective will demonstrate that it is, in fact, a practice deeply rooted in fashion history.
RetroSpective will begin with examples of fashions inspired by historical periods prior to the eighteenth century, including a 1981 gold lamé ensemble by Zandra Rhodes and a 1999 painted silk chiffon gown by Alexander McQueen for Givenchy Couture. Both looks evoke sixteenth-century England. Also featured will be a small selection of fashions inspired by ancient civilizations, such as Ancient Egypt and Greece, as well as particular eras in history, such as the Middle Ages.
The remainder of the exhibition will feature period fashions – beginning with the eighteenth century – grouped with their more recent revivals. A 2006 raffia suit by Walter Van Beirendonck, for instance, will be paired with the type of elaborate eighteenth-century menswear from which it draws inspiration.
Women’s wear examples will explore recurrences of the eighteenth-century pannier silhouette, which was revived as early as the 1920s in the form of dresses called robe de styles, an example of which will be on display.
A silhouette that has been repeatedly reinterpreted is the high-waisted, or Empire, dress which was popular during the first years of the nineteenth century. It returned a century later in fashionable 1910s adaptations. In 1962, designer Norman Norell again revived the Empire gown. His 1962 “Josephine” dress will be displayed, along with examples from the 1810s and 1910s.
One result of a craze for Victoriana in the 1930s was the reprisal of nineteenth-century cage crinolines and bustles. The April 26, 1930, issue of Vogue discussed the influence of, among other historical styles, the bustle and the “upholstered fashions of the [eighteen-] Eighties.”
In the exhibition, a 1930s Schiaparelli dress strongly represents this fashion. Also featured will be a more recent example from Anna Sui, who paired a bustle with a bustier and decorated denim jeans. Sui, who has a penchant for historic dress, once said, “I like using nostalgic elements and adding things to bring them into this decade. What I love is to capture an old feeling and still have it look good.”
n 1965, Norman Norell created a collection so reminiscent of the 1920s that The New York Times was forced to ask, “Is it Norell… or vintage Chanel?” An example will be featured, as will other later reinterpretations of 1920s drop-waist or fringed dresses. The exhibition will also feature examples from revivals of 1940s fashion, particularly from the 1970s, as well as designer adaptations of the styles popular in the 1950s and 1960s.
Textiles | On 21st May 2018
Following weeks of uncertainty over imposition and counter-imposition ...
Textiles | On 21st May 2018
Equate Group's first quarter results for 2018 are the best since its...
Apparel/Garments | On 21st May 2018
Retail organisations are adopting IoT platforms and more than 60 per...
We are spending double digit figures on R&D
Overall, Union budget 2018-19 is very balanced
Online remains the best destination for shopping
Established in 1956 with a small beginning, Embee today manufactures a...
Oswal Prints Private Limited has been manufacturing and exporting ethnic...
MAG Solvics Private Limited was established in 1991 to design and develop...
Nature Works LLC
Eamonn Tighe, Fibres and Nonwovens - Business Development Manager of...
InvestKonsult Sweden AB
Investkonsult Sweden AB has been buying and selling second-hand textile...
Voith Paper GmbH & Co. KG
The glass mat industry is growing by five to eight per cent annually. Kai...
Bridal couture created with rich Indian heritage, exquisite craftsmanship...
The hype around 'designer jeans' was created by him. And the new wave of...
India Boulevard is a San Francisco-based curated fashion marketplace that...